1:1

By weaving a dialogue with Antonioni’s Blow-Up, by approaching the film’s emblematic location (the park where everything begins and ends), I tried to see how the image could become “real”, a representation on a scale of 1. The result is a large-format print that indicates the number of each A4, which can be printed from a database (so that anyone can print all the images - over 2,000 - and create a life-size “decal” of the space photographed). A booklet recounts the journey to Maryon Park, where I made this image using a view camera.